BICERA Binh Duong HCM Ceramics Association

VIEN

One voice for Binh Duong ceramics

BICERA brings together the ceramics companies and master craftspeople of Ho Chi Minh City — representing members before government and international partners, and keeping the craft in working hands.

Join the association About BICERA

Founded
2010Transferred to Ho Chi Minh City in 2025
Members
~100Companies and individuals in the trade
Share of exports
70–80%Of Vietnam's ceramic exports come from this region
Legal basis
Charter approved by Decision 2854/QĐ-UBND of 15 May 2026
Lái Thiêu polychrome vases and dishes arranged on a wooden shelf
Three blue-and-white vases painted with figural scenes among bamboo
Hexagonal planter in cobalt and yellow glaze with Chinese inscriptions
Lidded polychrome cups painted with chrysanthemums
Bowl painted with a pink lion, its lid with red flowers on cream glaze
Blue-and-white teapot and dish bearing the character Phúc
Detail of a dish painted in cobalt underglaze with a phoenix among peonies, crazed glaze
Small lidded jar in ivory glaze painted with the character Thọ in blue roundels

What the association does

The charter assigns BICERA six areas of work. They all serve one purpose: so that no ceramics business has to stand on its own.

Representing and protecting members
Acting for members in domestic and external relations, defending their lawful rights and interests, mediating disputes and handling complaints relating to the association.
Shaping policy
Commenting on policy that bears directly on the trade, petitioning competent state bodies, and providing advice and policy review at the request of government.
Training and passing on the craft
Teaching and updating members, running vocational training and craft transmission, and issuing practice and competency certificates where the association qualifies to do so.
Research and technology
Taking part in scientific research programmes, projects and technology development that serve ceramics production.
Connecting and promoting
Organising and coordinating activity between members for the common good, supplying the information they need, and working with related agencies and organisations.
Raising resources
Receiving, managing and using lawful domestic and foreign funding and aid, tied to the association's stated purpose and remit.

The three Lái Thiêu lineages

Ceramics here were never a single tradition. Three distinct lineages of potters settled at Lái Thiêu, each bringing its own glazes, forms and range of wares. That inheritance is what the association exists to keep.

Gốm Tiều

Blue-and-white glaze

The Teochew lineage, working in blue-and-white or polychrome glaze for kitchen and household ware. This is the source of the rooster bowl, once found in every kitchen in southern Vietnam.

Gốm Phước Kiến

Dark brown and deep amber

The Hokkien lineage, recognisable at once by its dark brown and deep amber glazes — heavy, thick-bodied and suited to storage vessels and hard-wearing daily ware.

Gốm Quảng

Temple and garden ware

The Cantonese lineage, specialising in decoration for temples and communal houses and in garden pieces. This is the lineage of the large forms: elephants, stools, planters and statuary.

The forms this region is known for

Three lineages of potters left three quite different bodies of work. These are their profiles, drawn the way a potter sketches a shape before throwing it.

The rooster bowl

Gốm Tiều · blue-and-white glaze

A shallow bowl with a flared rim, painted with a cobalt rooster on white. Lái Thiêu's best-selling household ware through the first half of the twentieth century, and an image southern Vietnamese recognise on sight.

Storage jars

Gốm Phước Kiến · dark brown glaze

Broad at the shoulder, drawn in at the mouth, tapering to the foot. A thick brown-black glaze that stands up to sun and rain. These held water, fish sauce and pickles — the pottery of daily life.

Garden stools and elephants

Gốm Quảng · decorative ware

Large forms, thick walls, relief decoration. The Cantonese lineage made pieces for temples and gardens: stools, elephants, planters and statuary. It is also the main export line today.

Toward the World Creative Craft Cities network

Ho Chi Minh City is pursuing the admission of the Binh Duong ceramics craft villages to the Network of World Creative Craft Cities, covering six wards: Lái Thiêu, Thuận An, Chánh Hiệp, Tân Khánh, Thủ Dầu Một and Thuận Giao. Larger member companies of the association are partners in the scheme alongside art schools and vocational training institutions. The Binh Duong pottery craft has been recognised as national intangible cultural heritage since 23 November 2021.

The association's role

Three classes of membership

The charter is open both to companies in the trade and to those with a serious interest in it.

Full member

Vietnamese citizens and organisations established under Vietnamese law, operating in Ho Chi Minh City in fields related to ceramics. Full voting, nomination and election rights.

Associate member

Citizens and organisations with an interest in ceramics who do not yet meet the standard for full membership. All rights except voting and election.

Honorary member

Individuals, organisations and specialists with standing in the association's field who have contributed materially to its work, invited to join by the association.

How to apply

Latest coverage

What the press is reporting about ceramics in this region.

Vietnam OCOP Festival 2026 to be held in Ho Chi Minh City

It runs from 3 to 6 December 2026 on the Nguyễn Huệ pedestrian street. Under the plan of 5 August 2026, the opening ceremony is also when the Binh Duong ceramics village bid is to be announced.

All press coverage